The Oath
Tragedy, two sisters
- Drama
- Two-hander
- 5 min
- Female role
- Adult
- Advanced
Casting
23 lines- CLARA Female role, Adult
- ANNA Female role, Adult your role
Full text
(The living room of a house being emptied. Boxes labelled in black marker.)
CLARA
You’ve already labelled everything. “Anna.” “Clara.” “To give away.” As if a life could be filed.
ANNA
Someone had to deal with it. You weren’t here.
CLARA
I was six hours away by plane. That’s not the far side of death.
ANNA
You were six hours away by plane for eleven years, Clara. Eleven years.
CLARA
And you count. You always counted. The days, the wrongs, the absences.
ANNA
Because someone, in this house, had to keep the accounts. She’d stopped keeping them.
(Clara stops in front of a photo.)
CLARA
Did she ask for me? At the end?
ANNA
…
CLARA
Anna. Did she ask for me?
ANNA
Do you want the truth, or something you’ll be able to carry?
CLARA
I want the truth.
ANNA
Then no. At the end, she asked for nothing. She was saving her breath. You cost too much.
(A silence. Clara takes the blow.)
CLARA
You waited eleven years to tell me that. You kept it the way you keep a weapon.
ANNA
I kept it the way you keep a pain. I didn’t know it would be of use.
CLARA
We swore, as little girls. Remember? That we’d never become her. Cold. Counting.
ANNA
I swore that at nine, to a sister who never came back. The oath wore out on its own.
CLARA
Then break it for good. Tell me to leave and let’s say no more.
ANNA
I’m not telling you to leave.
CLARA
Then what are you telling me?
ANNA
That I’ve been alone. And that I can’t even hate you properly, because you’re the only one who remembers the same things I do.
(She pushes a box toward Clara.)
ANNA
That one says “Clara.” I made it anyway. My hands knew before I did that I wouldn’t turn you away.
CLARA
…Stay with me while I open it. I don’t want to be alone for that.
ANNA
That’s all I’ve wanted to hear for eleven years.
(They sit on the floor, on either side of the box.)
What you can do with it
Original text written for Acto. Read it, print it, work on it in class, perform it at an audition or on a self-tape: that is what it is for, and you need no permission. For a public performance or any commercial use, write to us at contact@acto.re.